FilmConvert Pro 2.39a MAC OS X FilmConvert Pro 2.39a Size: 87.95 MB It is a film stock emulation plugin for After Effects, Premiere Pro. Give Digital camera footage the color and grain of your favorite film stocks. We’ve said a lot about the digital versus film debate,. FilmConvert Pro 2.39a for Adobe After Effects and Premiere Pro Free Download Latest Version for MAC OS. It is full offline installer standalone setup of.
FilmConvertPro-AE-PP_v2.39a.zip.torrent
FilmConvert Pro 2.39a
Size: 87.95 MB
Size: 87.95 MB
FilmConvert Pro – is a film stock emulation plugin for After Effects, Premiere Pro. Give Digital camera footage the color and grain of your favorite film stocks. We’ve said a lot about the digital versus film debate, and a lot of people have a lot of different opinions. Film still had a technological advantage over digital until really the last few years or so, and now we have digital sensors which can match or exceed film stocks with dynamic range.
Either way, with digital sensors being “too clean” for some people who have loved the look of film, there is a program called FilmConvert that takes the color information of specific cameras and actually uses that to determine how a specific film stock could best be represented using that sensor. Click through for some videos of the program in action.
Applying FilmConvert to your media
Once FilmConvert is installed, you will want to apply it to your footage. To do that:
Once FilmConvert is installed, you will want to apply it to your footage. To do that:
First open up After Effects or Premiere.
Create a new project, or open up an existing project.
In the case of a new project, import some media, and drag it onto the timeline (Premiere) or a composition (After Effects).
If in Premiere find the Effects tab. In After Effects, find the Effects menu item.
Go the Film Emulation category, which currently has just one item FilmConvert. Drag the effect onto your media.
Create a new project, or open up an existing project.
In the case of a new project, import some media, and drag it onto the timeline (Premiere) or a composition (After Effects).
If in Premiere find the Effects tab. In After Effects, find the Effects menu item.
Go the Film Emulation category, which currently has just one item FilmConvert. Drag the effect onto your media.
![Filmconvert pro 2.39a for mac pc Filmconvert pro 2.39a for mac pc](/uploads/1/2/6/4/126498981/208707105.jpg)
You will now see some color changes, grain and FilmConvert water marks on your media!
NOTE: If the Film Emulation category is not visible in Premiere, close Premiere, then re-launch with the Shift and Alt keys held down until the welcome screen appears. This will clear the plugin cache.
Camera Controls
– Source Camera Selects the camera (or camera type) used to shoot your footage. This setting is required in order to apply the correct color correction.
– Exposure Performs an adjustment prior to the film emulation being applied.
– Temp Adjusts the color temperature. This assumes that the clip temp is 5600 (daylight). Moving the slider to the left makes the scene cooler. Moving to the right makes it warmer.
– Source Camera Selects the camera (or camera type) used to shoot your footage. This setting is required in order to apply the correct color correction.
– Exposure Performs an adjustment prior to the film emulation being applied.
– Temp Adjusts the color temperature. This assumes that the clip temp is 5600 (daylight). Moving the slider to the left makes the scene cooler. Moving to the right makes it warmer.
Film Controls
– Convert To drop down Selects the particular film stock to be emulated.
– Size drop down Selects the negative size to emulate. Smaller values such as 8mm are fuzzier with larger grain. Larger values have smaller grain.
– Film Color slider Adjusts the balance between the original digital camera color palette, and the film color palette. Typically you would leave this at 100% film
– Grain slider Adjusts the amount of grain applied to the image. The default is 100%, which is an accurate representation of the grain for the selected film stocks. Some stocks have more grain – such as D3200.
– Blur Slider Adjusts the amount of blur applied to the image when either an 8mm or 16mm negative size is chosen. The default is 100%, which is an accurate representation of the amount of fuzziness that will be present with the selected negative size. The blur is applied before the grain.
– Convert To drop down Selects the particular film stock to be emulated.
– Size drop down Selects the negative size to emulate. Smaller values such as 8mm are fuzzier with larger grain. Larger values have smaller grain.
– Film Color slider Adjusts the balance between the original digital camera color palette, and the film color palette. Typically you would leave this at 100% film
– Grain slider Adjusts the amount of grain applied to the image. The default is 100%, which is an accurate representation of the grain for the selected film stocks. Some stocks have more grain – such as D3200.
– Blur Slider Adjusts the amount of blur applied to the image when either an 8mm or 16mm negative size is chosen. The default is 100%, which is an accurate representation of the amount of fuzziness that will be present with the selected negative size. The blur is applied before the grain.
Cineon Log Film Emulation
Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.
Filmmakers love the built-in FilmConvert film stocks for their authentic look, but sometimes you want more control over the final image.
In the Nitrate update, we’ve added Cineon Log versions of our original film stock emulations, meaning you can dial the contrast or saturation of a film stock back to your liking, while still keeping the authentic film stock colors.
Design your own film response curve
We’ve designed full custom curve controls for each of the FilmConvert film stocks, so you can create exactly the look you want: modify highlight and shadow roll-offs, or even design your own film stock from scratch. Nitrate now uses a full Log image processing pipeline, so you can retain the full dynamic range of your footage through the grading process.
We’ve designed full custom curve controls for each of the FilmConvert film stocks, so you can create exactly the look you want: modify highlight and shadow roll-offs, or even design your own film stock from scratch. Nitrate now uses a full Log image processing pipeline, so you can retain the full dynamic range of your footage through the grading process.
Advanced film grain controls
You can now adjust the appearance of the grain individually in the highlights, mid-tones, and shadows.
You can now adjust the appearance of the grain individually in the highlights, mid-tones, and shadows.
Adobe Premiere Pro & After Effects Plugin:
Create the romance of film on your next digital video using FilmConvert plugin for Premiere Pro & After Effects. Our software seamlessly fits into your current Adobe workflow, helping you to achieve professional results quickly and easily. We’ve optimized our plugin to work cross platform, as well as being completely up-to-date with Adobe Creative Cloud 2015 or later.
Create the romance of film on your next digital video using FilmConvert plugin for Premiere Pro & After Effects. Our software seamlessly fits into your current Adobe workflow, helping you to achieve professional results quickly and easily. We’ve optimized our plugin to work cross platform, as well as being completely up-to-date with Adobe Creative Cloud 2015 or later.
– New Nitrate features – print density film emulation, advanced grain controls
– Up-to-date with Adobe Creative Cloud 2015 or later
– Adobe Premiere Pro
– Adobe After Effects
– Up-to-date with Adobe Creative Cloud 2015 or later
– Adobe Premiere Pro
– Adobe After Effects
Camera profiles
We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result. Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.
We work with a wide range of popular cameras to deliver the most precise picture profiles available. We then use those profiles to match to your chosen film stocks to create a stunning and accurate result. Our Camera Packs contain accurate data for each Camera Picture Style so we can tailor each film stock to your camera, allowing authentic Film Stock looks across a wide range of cameras and settings. We continue to work directly with camera companies to bring you the latest profiles.
Camera Profiles
Choose from our range of precise Camera Profiles, matched to your camera.
Choose from our range of precise Camera Profiles, matched to your camera.
6K Grain Scans
Industry leading quality grain, scanned at 6K to give the best results.
Industry leading quality grain, scanned at 6K to give the best results.
19 Film Stocks
Motion and Photographic.
Color Positive, Negative + Reversals.
Motion and Photographic.
Color Positive, Negative + Reversals.
Export 3D Luts
Create & export 3D LUTS using FilmConvert for on-set use.
Create & export 3D LUTS using FilmConvert for on-set use.
Home Page – https://www.filmconvert.com/